At the bottom of the drape, eight Chroma-Q ColorForce 72 LED battens were used to swoosh up the drape, and the swags hanging in front of it were toned with six Robe LEDWash 600s on the mid truss. This produced depth and a nice colour separation between the two different material surfaces.
Joining these on the floor were another eight Clay Paky Sharpy Washes on tank trap bases, four behind the band, with two sets of two either side of stage lighting through the backing vocalists and the musical director and on to the forestage. They contrasted well with the two layers of Vipers onstage- the four behind the band and the four white ones in front of the set – plus two more on the downstage edges.
Twelve Atomic strobes were dotted around the trusses with four on the ladders, and eight 4-lite Moles were distributed between the front truss and the floor.
Faith likes white light, so the first few numbers were lit completely in different variants of white, with colours then being introduced – strikingly – first from the washes and then from the profile fixtures.